Products
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Recording & Mixing Master Classes, Drum Mixing, Drum Recording
RECORDING & MIXING LIVE DRUMS | for Session Musicians & Producers
Course • 90 lessonsLearn every step of recording and mixing live drums, ending with a finished 12-mic mix. For the experienced drummer looking to build a drum recording rig for session work, or a producer making the transition from pre-mixed loops.
$97
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Recording & Mixing Master Classes, Music Production
'80s-STYLE MODERN POP PRODUCTION | Beatmaking, Vocal Production, Arranging & Mixing
Course • 100 lessonsProducer/Mixer Cooper Anderson creates a Synthwave-influenced song from scratch using live drums and a mix of analog and digital synths. He covers every step of the production process, including beatmaking, vocal production, mixing and much more.
$39
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Recording & Mixing Master Classes, Drum Recording
CREATING THE SOUND OF THE FUNKY DRUMMER | Part 1 - Recording the Drums
Course • 27 lessonsExamine every step involved in sonically recreating the original “Funky Drummer” tracking session with James Brown’s drummer Clyde Stubblefield.
$67
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Recording & Mixing Master Classes, Drum Mixing
CREATING THE SOUND OF THE FUNKY DRUMMER | Part 2 - Mixing the Drums
Course • 38 lessonsTransform the raw "Funky Drummer" drum tracks into a sonic replica of the original breakbeat, using software and plugins to recreate the original 1969 studio ambiance mix.
$67
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Recording & Mixing Master Classes, Drum Recording
CREATING THE SOUND OF MEMPHIS SOUL DRUMS | Part 1 - Recording the "Tramp" Breakbeat
Course • 38 lessonsLearn how to recreate the classic "Tramp" breakbeat, as played by Al Jackson Jr. with Otis Redding and Carla Thomas at Stax Records in 1967
$67
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Recording & Mixing Master Classes, Drum Mixing
CREATING THE SOUND OF MEMPHIS SOUL DRUMS | Part 2 - Mixing the "Tramp" Breakbeat
Course • 25 lessonsRecreate the classic ambiance and sonic signature of Stax Records in 1967 with the raw drum tracks for the "Tramp" breakbeat.
Free
FAQ
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Does it matter which DAW I use?
No. The techniques we demonstrate generally work the same across all Digital Audio Workstations. While each DAW may have cosmetic differences in how they handle EQ, compression, reverb, and mixing generally, you can use any of them to accomplish what we're teaching.
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What if I don't have the same gear you have?
It's important to realize that we don't have the same gear that the original artists used either! What's important is the process we're teaching in terms of sculpting the final finished sound from the tools that you have available.
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Will these techniques work outside of sample replays?
Absolutely! The skills we teach are the same skills that we use every day in the studio, whether the session calls for exactly recreating an existing work, or creating a brand new piece of music.